(;GM[1]FF[4]CA[UTF-8]AP[CGoban:3]ST[2]
RU[Japanese]SZ[19]KM[0.00]
PW[White]PB[Black]
;B[pc]
;W[pe]C[In the first episode, we showed what can happen when black plays tenuki here..]
(;B[nd]C[This is a basic joseki. ]
(;W[qc]C[Both black and white secure their bases]
;B[qb]
;W[qd]LB[ob:B][rb:A]TR[jc]C[Black can now choose to play either at A or B. When black already has a stone around the marked point he will probably play at A. When he doesn't have that stone he will play at B.

In this position, instead of A or B black can also try to play at C, even though he has no extension at the marked point. This leads to the following joseki]
(;B[ob]
(;W[qi]C[This finishes the joseki. Both players have a strong base. 

After the joseki..]
;B[of]LB[dc:A][de:B]C[Black can play this pressing move if he wants to build a moyo on the top side (for example, imagine that black has stones at A and B). ]
;W[qg])
(;W[qh]LB[of:B][qi:A]C[So when there is a possibility of moyo on the top side white can also play this move instead of the wider extension at A. This prevents black from playing B.]))
(;B[ph]
;W[oc]
;B[od]
;W[pb]
;B[pd]
;W[rb]
;B[qe]
;W[re]
;B[qf]
;W[rf]
;B[qg]
;W[ob]LB[lc:B][mc:C][ld:A][ph:1][qi:D]SQ[pe]C[This is a joseki. However we both feel white has a better position here. There is still some aji left in the marked stone. On top of that there are nice shape points as follow ups, ranging from A to D. The stone numbered 1 looks a little bit strange. It could have been used better, by for example capturing the marked stone completely...]
;AE[ph]
;B[of]C[Like so.]))
(;AB[jc]TR[jc]C[When black already has the marked stone in place.. if white chooses to play the same joseki..
]
(;W[qc]
;B[qb]
;W[qd]LB[ob:A][rb:B]C[Black will now have the option of playing somewhere else instead of A or B]
;B[ph]C[Black can play this severe pincer.]
(;W[oc]TR[jc]C[Because of blacks thin position this is usually a good move for white, but because of the marked stone white is not able to cut black.]
;B[ob]
;W[nc]C[White tries to seperate blacks stones, but..]
;B[mc]LB[od:A]C[black resists. In stead of this tesuji, bluntly cutting white at A is also possible. ]
;W[nb]C[White keeps trying, so black has no other option but cutting.]
;B[od]
;W[pd]
;B[pb]
;W[mb]
;B[lc]LB[ph:A]TR[jc]C[In stead of cutting black, whites own stones have been captured. The marked stone is in a perfect position to capture the four white stones. White still has to make a base with his stones on the right side. Black A makes this difficult.])
(;W[rb]C[Instead of trying to exploit blacks thin position white can choose to settle himself.]
;B[pb]
;W[rh]LB[ph:A]C[White settles himself, but A forces white into a very low position. This looks promising for black. ]))
(;W[qj]C[When white does not want black to make the pincer in the previous variation he can choose to not attach in the corner. A simple and flexible solution for white. ])))
(;B[dq]C[black can tenuk and white plays the keima]
;W[nd]C[See episode 1 for a nice trick here.]))
